Ｐａｇｅ 1180878 ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ 通常モードに戻る ┃ ＩＮＤＥＸ ┃ ≪前へ │ 次へ≫ ━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━━ ▼The rise of vintage WillieAmata 17/5/11(木) 13:08 ─────────────────────────────────────── ■題名 ： The rise of vintage ■名前 ： WillieAmata <elinor@80music.org> ■日付 ： 17/5/11(木) 13:08 ■Ｗｅｂ ： http://allposter.org -------------------------------------------------------------------------
| In the globe of antiques, a particular spot of desire, a gathering subject if you like, will frequently tick over quietly for a few of a long time or much more and then just take off, steadily growing its charm past difficult-core aficionados to draw a lot of far more new and enthusiastic collectors. This has certainly been the situation with classic posters for the previous a few many years, but it is not the initial time. Certainly, we are in what may be described as Poster Art 3rd excellent wave of acceptance. The 1st wave began with the emergence of the artwork type alone when, in the late 19th century, French artist Jules Cheret harnessed the technique of lithographic colour printing. This permitted him to reproduce posters at pace, and exhibiting chromatic intensities and subtleties similar to the first artwork. By the early nineties, the walls of Paris have been protected in professional posters marketing theatres, revues and cafe-bars, although the involvement of eminent artists this kind of as Henri de Toulouse-Lautrec and Alphonse Mucha firmly set up at the outset the vintage poster position as a collectable artwork form in its personal proper, and one comparatively cost-effective in comparison to the modern good artwork in the Artwork Nouveau style that it mirrored. |